Learning to Listen

學習聆聽

Children’s Sound Awareness and Creative Expression /兒童聲音感知與創造表達

2023 · Teach For Taiwan Education Innovation Base, Pingtung, Taiwan · Participatory Project

Learning to Listen is a participatory sound project developed for children. Through environmental listening, movement, breathing and collective sound-making, the project invited participants to rediscover sounds that are continuously present in everyday life but often pass unnoticed.
Children stand and move in a bright classroom while an adult holds up a large sheet of paper with a hand-drawn diagram, with a screen behind them.

Frogs, hermit crabs, family songs, breathing and bodily sounds became materials for observation and creative expression. Rather than simply identifying their sources, the children explored how sound connects the self, other people and the surrounding environment.

Children and adults sit in a wide circle of folding chairs in a bright classroom while a facilitator in a yellow shirt gestures to a screen, with microphones on a stand and a laptop on a table behind him.
A smiling girl with her eyes closed cups a hand behind her ear to listen, with adults and other children around her.

From Environment to Body

The process began by listening to the immediate environment. Participants searched for sounds that were near or distant, high or low, continuous or intermittent, noticing how different forms of life make their presence perceptible through sound.

Listening then moved inward towards the body. Through breath, footsteps and movement, the children discovered that the body is itself a sensory space—continually producing sound, receiving information and responding to its surroundings.

By placing the sounds of frogs, hermit crabs and everyday life alongside their own breathing and movement, sound became more than an object of knowledge. It became a way of encountering the world.

Two children in headphones lean over a long sheet of paper on a table, drawing with oil pastels beside a window.
A facilitator in headphones leans across a table to adjust a clip microphone on an adult, with children drawing on a large pastel mural in a bright room behind.

Family Sound Memories

Family songs and familiar domestic sounds connected listening with personal memory. Melody, voice and recollection became intertwined, allowing participants to express relationships and feelings that might be difficult to articulate directly.

These sounds did not need to become complete songs. A fragment of melody, a repeated rhythm, a breath or a remembered lyric could become the beginning of creative expression.

Looking down at a long sheet of paper covered in children's oil-pastel drawings of a waterfall, a pool, trees, a bear and smiling suns, with children around the table.

Silence and Collective Voice

The project moved between silence, individual expression and collective sound-making. Participants first practised waiting and listening before gradually responding to one another, forming a shared sound field without a fixed conductor.

Children lie on the floor wearing headphones, one small child in a red shirt in the foreground with arms outstretched, while adults sit on chairs in the background.

Listening was therefore approached not as passive silence, but as an active relational practice: knowing when to make a sound, when to pause and how to leave space for the voices of others.

Learning to Listen shifts sound education away from identification and imitation towards embodied awareness, creative expression and collective presence. The children learned not only how to hear more, but how to recognise their relationship with the world through sound.

Credits

Concept / Workshop Design / Facilitation
Jez Fang
Programme
Children’s Sound Awareness and Creative Expression
Partner
Teach For Taiwan
Venue
Teach For Taiwan Education Innovation Base, Pingtung
Year
2023
Medium
Environmental listening, movement, breathing, voice and collective sound-making

All work